Carolina Muñoz Chilean, b. 1985
Nadie se conoce, 2022
Oil on canvas
128 x 91 cm
Hand-signed and dated on the back
Further images
Based in Francisco Goya's etching 'Nadie se conoce', from his series Los Caprichos (1797–1798). Carolina Muñoz's proposal is to take Goya's etchings only through their composition, taking the image to...
Based in Francisco Goya's etching "Nadie se conoce", from his series Los Caprichos (1797–1798).
Carolina Muñoz's proposal is to take Goya's etchings only through their composition, taking the image to a reformulation of the content of the form, revealing a new truth (a clarification of what is form and content), a presence and identity of the form through her characters. Goya used dreams to conceal reason. In her work, the artist elaborates form as a concealment of truth to present a new vision of her own.
Carolina Muñoz's proposal is to take Goya's etchings only through their composition, taking the image to a reformulation of the content of the form, revealing a new truth (a clarification of what is form and content), a presence and identity of the form through her characters. Goya used dreams to conceal reason. In her work, the artist elaborates form as a concealment of truth to present a new vision of her own.
